Friday, 13 May 2016

Ethnicity Theories

Key Point - Many sociologists believe that media representations of ethnic minority groups are problematic because they contribute to the reinforcement of negative racist stereotypes. Media representations of ethnic minorities may be undermining the concept of a tolerant multicultural society and perpetuating social divisions based on colour, ethnicity and religion.

Evidence suggests that, despite some progress, ethnic minorities are generally under-represented or are represented in stereotyped and negative ways across a range of media content. In particular, newspapers and television news have a tendency to present ethnic minorities as a problem or to associate Black people with physical rather than intellectual activities and to neglect, and even ignore, racism and the inequalities that result from it.

Stereotypical representations

Akinti (2003) argues that television coverage of ethnic minorities over focuses on crime, AIDS in Africa and Black children’s under-achievement in schools, whilst ignoring the culture and interests of a huge Black audience and their rich contribution to British society. Akinti claims that news about Black communities always seems to be ‘bad news’.

Van Dijk’s (1991) content analysis of tens of thousands of news items across the world over several decades confirms that news representations of Black people can be categorised into several types of stereotypically negative news.

  • Ethnic minorities as criminals – Black crime is the most frequent issue found in media news coverage of ethnic minorities. Van Dijk found that Black people, particularly African-Caribbeans, tend to be portrayed as criminals, especially in the tabloid press and more recently as members of organised gangs that push drugs and violently defend urban territories.
  • Ethnic minorities and moral panicsWatson (2008) notes that moral panics often result from media stereotyping of Black people as potentially criminal. This effect was first brought to sociological attention by Hall’s classic study of a 1970s moral panic that was constructed around the folk devil of the ‘Black mugger’. Further moral panics have developed around rap music, e.g. in 2003, ‘gangsta rap’ lyrics came under attack for contributing to an increase in gun crime.
  • Ethnic minorities as a threat – ethnic minorities are often portrayed as a threat to the majority White culture. It is suggested by some media that immigrants and asylum seekers are only interested in living in Britain because they wish to take fraudulent advantage of Britain’s ‘generous’ welfare state. Poole (2000), pre 9/11, argued that Islam has always been demonised and distorted by the Western media. It has traditionally been portrayed as a threat to Western interests. Representations of Islam have been predominantly negative and Muslims have been stereotyped as backward, extremist, fundamentalist and misogynist.
  • Ethnic minorities as dependent – news stories about less developed countries tend to focus on a ‘coup-war-famine-starvation syndrome’. Often such stories imply that the causes of the problems experienced by developing countries are self-inflicted – that they are the result of stupidity, tribal conflict, too many babies, laziness, corruption and unstable political regimes. External causes such as colonialism, tied aid, transnational exploitation and the unfair terms of world trade are rarely discussed by the British media.
  • Ethnic minorities as abnormal – the cultural practices of ethnic minorities are often called into question and labelled as deviant or abnormal. Many Asian people believe that the media treatment of arranged marriages was often inaccurate and did not reflect the way that the system had changed over time. Ameli et al. (2007) note that media discussion around the issue of the wearing of the hijab and the veil is also problematic, often suggesting that it is somehow an inferior form of dress compared with Western female dress codes and that it is unnecessary and problematic. It is often portrayed as a patriarchal and oppressive form of control that exemplifies the misogyny of Islam and symbolises the alleged subordinate position of women in Islam.
  • Ethnic minorities as unimportantVan Dijk notes that some sections of the media imply that the lives of White people are somehow more important than the lives of non-White people. News items about disasters in developing countries are often restricted to a few lines or words unless there are also White or British victims. Moreover, Sir Ian Blair, the former Metropolitan police commissioner, claimed that institutionalised racism was present in the British media in the way they reported death from violent crime. He noted that Black and Asian victims of violent death did not get the same attention as White victims. However, the murder of the Black teenager Stephen Lawrence by White racists in 1993 received high-profile coverage, both on television and in the press.
  • Ethnic minorities as invisible – in 2005, a BBC News Online survey noted that Black and Asian people were represented as newscasters and television journalists, but the range of roles that ethnic minority actors play in television drama is very limited and often reflects low status, e.g. Africans may play cleaners or Asians may play shopkeepers. Ethnic minority audiences were also very hostile towards tokenism – the idea that programmes contain characters from ethnic minority groups purely because they ‘should’. Ethnic minority audiences complain that Black and Asian people are rarely shown as ordinary citizens who just happen to be Black or Asian.

Media professionals from ethnic minority backgrounds have responded to these inequalities and prejudices by developing media institutions and agencies that specifically target the interests and concerns of ethnic-minority audiences. There is a range of homegrown media agencies that are owned, managed and controlled by ethnic minorities themselves, including newspapers and magazines, e.g. Eastern Eye, Snoop, The Voice, etc, and radio stations such as Sunrise Radio, Asian FX, etc.

Exemplar Answer for Ethnicity (2015)

Clip

In the history of TV Dramas, ethnicity has been portrayed in a number of ways. As suggested by Akinti (2003), ethnic minorities are often portrayed negatively without sufficient coverage of the livelihood and positive cultural aspects to ethnic minorities lives in the media. However, as Treme shows, this is not always the case, as demonstrated though the camerawork, mise-en-scene, editing and soundtrack used by Anderson.

As shown through the mise-en-scene in the extract, the characters who would usually be attributed to the cause of crime and societal issues (that is to say the stereotypical view of black people in the media) are not linked to crime. In fact, the use of a trumpet and the materials being used to make into clothes at the end of the clip, highlights how the black people in this extract are portrayed as civilised, peaceful people who have no links to crime. In sharp contrast, the white Americans sat in the living room of a high class and high status house are shown to be smoking and drinking cocktails which leads the audience to view them as more criminalised and ambiguous than the ethnic minorities. On top of this when comparing the homes of the various characters we can conclude that the white people are richer and more sophisticated than the black people when comparing it to the poorer community they are shown to be living in. This is furthered when contrasting the clothing of each ethnic group. The white people are demonstrated as wearing expensive clothing and jewellery whereas the black men are wearing fairly scruffy and less expensive clothing. In some aspects this conforms to the conventional view that white people are in better paid jobs and consequently live more upper class lives.

Brad Andersen also uses sounds in the extract to generate a view that the black ‘ethnic minority’ is less sophisticated than the white people. Through the use of dialogue such as “It’s a contradiction in terms”, the perspective of the white people appears to be that they are well educated. This is also furthered and shown by the fact that the Doctor, who says “ You need to lose 200 pounds” is likewise white and in a high paid job. In contrast the black men at the beginning, and similarly the couple at the end of the extract, are constructed by Andersen to have culturally alternate lives to the white people. This is shown by diegetic colloquialisms and the accent and tone of which they speak in. Moreover when one of the white ladies says, “You don’t have to sell marijuana to get revenue”, it becomes apparent that white people are linked to high-profile crimes. This conforms to the view that crimes committed by white people are usually to a larger scale than the petty crimes attributed to ethnic minorities.

Camerawork is also used in the extract to construct the representation of ethnicity. When introducing the hospital clinic, a pan is used to establish the setting. As a result of this pan, it becomes clear that the majority of people in the waiting room are black or of a different culture to the American majority, this symbolises how the ethnic minority are reliant upon well-educated white people to care for them. However, contradicting this construction, long shots are used at the end of the extract to show the black couple making clothes – it then becomes apparent that this is being done to raise money for other people, hence implying that help is provided by ethnic minorities, consequently opposing the stereotypical views of society – furthermore the establishing shot at the beginning of the extract generates a view that this neighbourhood is run down and poor – two black people are then shown, in the background, to be walking along a path. This leads a viewer to presume they live there, and, as an implication, this establishing extreme long shot represents ethnic minorities to be living in squalid and poor conditions. For this reason, some would argue that they are portrayed as a burden on society as a result.

Finally editing is used by Andersen to construct representations of ethnicity. The use of cross cutting throughout the whole extract allows a viewer to compare the lives and culture of different ethnicities. For instance, we can compare the squalid conditions black people are shown to live in at the beginning to the more sophisticated upper class conditions of white people that follow the first scene and this starts constructing representations of a difference in class, status and wealth. But, cutting from a long shot of the white women in the restaurant to an extreme long shot and then to a close-up of the woman’s face clearly shows how she is frustrated with having to work. Then later cutting this to a shot- reverse shot scene of the two black people making clothes with no such expression of frustration demonstrates how perhaps black ethnic groups work harder and are more committed to work than white ethnic groups and hence, in many aspects being a counter-type to usual perspectives.

In summary, it is therefore apparent that the view of Akinti, previously referenced, is conformed and opposed to, in this media extract. Ethnic divisions are apparent in this extract, such as the separation in wealth of one ethnic group to another, and the dependency of one upon the other, yet the negative views usually attributed to ethnic minorities are not clearly expressed in this extract. In fact, in some aspects the audience feels pity for the ethnic minorities, hence showing the construction of counter typical views.

Thursday, 5 May 2016

Representations of Sexuality


Sexuality
  • A person's sexual orientation or preference
Heterosexual Male Stereotypes:
  • Tough
  • Protector
  • Leader
  • High status
  • Dominant
  • High paying jobs
Heterosexual Female Stereotypes:
  • Weak
  • Girly
  • Feminine
  • Damsel-like
  • Emotional
  • Subordinate
Stereotypes
  • Depend on shared cultural knowledge
  • A widely held but fixed and oversimplified image or idea of a particular type of person or thing.
Homosexual Male Stereotypes

  • Camp
  • Girly
  • Promiscuous
  • Feminine
  • Desire to be women
  • Characters are condemned to a life alone without children
  • Mothers regret being so close to their mothers which is what "made them gay"
  • "Just a phase"
  • Sexual
  • Only concerned with sex
  • Flamboyant
  • Feared, pitied or being true subject of laughter
  • Involved in the fashion, material design or hair styling
  • Suffering with family rejection
  • Lisp
  • Not sporty
  • Over emotional
  • Have all female friends
Homosexual Female Stereotypes
  • Butch
  • Feminist
  • Short hair
  • Hate men
  • Masculine
  • Aggressive or mouthy
  • Sexual
  • Sport or military orientated jobs
  • Pursuing heterosexual women
General Homosexual Stereotypes
  • Despite changes in legislation, TV has remained conservative to avoid offending viewers
  • Homosexuals are represented as different, strange, separate from society
  • Characters that are gay only "happen to be gay"
  • Sexuality plays a key role in the story line and don't have problems outside of sexuality
  • Those who are homosexual or other are not religious
  • All have some form of STI
  • Don't want to be in a long-term relationship
  • Constantly preach about their cause "unnecessarily"
  • Usually white
  • Always a masculine and a feminine partner
  • Suffering rejection



Examples of Gay Characters in the Media:



Teen Wolf




Danny & Ethan - Gay

Mason & Corey - Gay



How To Get Away With Murder






Connor & Oliver - Gay


The Shannara Chronicals




Eretria - Bisexual


Will and Grace




Will & Vince - Gay

Jack - Gay



Scandal




Cyrus - Gay



Empire




Jamal - Gay

Mimi - Lesbian

Camilla - Bisexual


Textual analysis of Clip:


Editing
  • Shot duration being very quick and only focusing on the crotch area, kissing and torsos conform to the promiscuous stereotypes
  • Jump cut to talking in the car talking about being soft - stereotype
  • Eye line match - I'll have a lager - counter stereotype
  • Cut aways to crotch shot - sexual
  • Cut away and eyeliner match to drag queen - conforms to stereotype of wanting to be a woman
Camera
  • Downward tilt to show full body of dancer with oiled body, conforms to promiscuous stereotype
  • High angle camera shots depict dancers in high power being in their element and natural state
Mise en scene
  • All topless men on podium and many men kissing and dancing flirtatiously, conforms to promiscuity stereotype
  • People dressing like women, conform to wanting to be woman stereotype
  • Very low lighting - reflects the confusion of the main character being in a place that he is unfamiliar with
Sound
  • Non-diegetic music of the club that is introduced at the conversation in the work place then sound brigand to the club makes the music a symbol of promiscuity